Ben Snead20 May – June 2006  < 2006 page   < artist page
Using his childhood experiences and field manuals as primary sources of reference, Ben Snead paints fish, beetles, insects, birds, and frogs, arranging or choreographing them in simple, repetitive, geometric patterns on softly modeled tones. His classification systems are developed primarily on aesthetic rather than scientific values, and the unnatural configurations, are mostly about patterning, decoration, and mild sociological
commentary on beauty and exoticism, same and other, work and play.

Often, especially in the most recent paintings, a layering of the patterns coupled with a complex push and pull within the figure ground relationships, creates a pulsing phantasmagoria. If alone for their color and structure, which is anatomically correct, there is an exuberance in these depicted creatures which leaves one to wonder if they have any self awareness of the fleeting nature of their lives, their beauty and their
individuality.
Ben Snead, Unit Structures, 2005 Ben Snead, Untitled, 2006 Ben Snead, Untitled, 2005   Ben Snead, The Dream of Many Faces, 2006   Ben Snead, The Dream of Many Faces, 2006 (detail)   Ben Snead, Untitled, 2006   Ben Snead, Untitled, 2006   Ben Snead, Love and Affection, 2006   Ben Snead, New Song, 2006   Ben Snead, Untitled, 2006   Ben Snead, Shang A Dang Dang, 2005   Ben Snead  
spacer Unit Structures, 2005; oil paint on linen; 70 x 80” Untitled, 2006; pencil on paper; 24 x 19” space Untitled, 2005; oil paint on linen; 64 x 74” space The Dream of Many Faces, 2006; oil paint on linen;
76 x 72”
space The Dream of Many Faces, 2006 (detail) space Untitled, 2006; pencil on paper; 24 x 19” space Untitled, 2006; oil paint on linen; 78 x 78” space Love and Affection, 2006; oil paint on linen; 30 x 31” space New Song, 2006; oil paint on linen; 78 x 60” space Untitled, 2006; pencil on paper; 24 x 19” space Shang A Dang Dang, 2005;
oil paint on linen; 76 x 40”
space Portal #3, 2004-2006; oil paint on linen; 81 x 73.5” space
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